The Pioneers of Universal Music
Foreword
1.
The Pioneers of Universal Music
2.
Introduction
3.
Side I
4.
The Modernistic Metamorphoses
4.1.
The Story Of The Camel
4.2.
The Story Of The Lion
4.3.
The Story Of The Child
4.3.1.
“Deus Ex Machina”
4.3.2.
Misunderstandings
4.3.3.
The Child
4.4.
Introduction to the next chapter
5.
Aural Presence
5.1.
Aural Listening
5.2.
Old Question Actualized by Sound Recordings: What is a Piece of Music in Narrowest Sense?
5.3.
What Are Sound Recordings?
5.4.
Ambient Music
5.5.
Introduction to the Next Chapter
6.
Sound Synthesis
6.1.
Apology Of Sound Synthesis
6.2.
Synthesizer Controversies
6.3.
Electronic Orchestration
6.4.
Timbre as basis of music?
6.5.
Musique Concrete
6.6.
Where Everything Converges: Total Organization of Music
6.7.
Introduction to the Next Chapter
7.
Universal Composition
7.1.
Musica Humana and Musica Instrumentalis
7.2.
Musica Universalis
7.3.
On Character of Universal Music
7.4.
On Music Programming
7.5.
Computer-composed music
7.6.
On Interpretation
7.7.
Introduction to Next Chapter
8.
Advanced Music
8.1.
Polyphony
8.2.
Spatially Expanded - Time Condensed Music
8.3.
Indeterminacy (‘Enigmatism’)
8.4.
Non-Bodily Rhythms and Escaping Even Bars
8.5.
Experimental Contents
9.
Side II
10.
Phoenix of Classical Music
10.1.
XX Century Musical Decadence
10.2.
Back to The Virtue
10.3.
Phoenix Of Classical Music
10.4.
Introduction to the Next Chapter
11.
Universal Level of Music
11.1.
Universal Level of Music
11.2.
Eclectic Approach
11.3.
Music as Universal Language
11.4.
Primordial Musical Space
11.5.
Introduction to the Next Chapter
12.
Natural Form
12.1.
Organic Unity
12.2.
On Composing as a Technical Exercise
12.3.
On Listening
12.4.
On Formal Virtues
12.5.
Objectivity of organic unity
12.6.
Some Common Causes of Compositional Shortcomings
12.7.
Introduction to the Next Chapter
13.
Atmospheric Development
13.1.
Connection Between Meaning And Form
13.2.
Technical vs Atmospheric Developement
13.3.
On Musical Meaning
13.4.
Timbre And Musical Storytelling
13.5.
Common Errors Concerning Musical Meaning
13.6.
Impressionism
13.7.
Expressionism
13.8.
Objectivism
13.9.
Musical Beauty
13.10.
Introduction to the Next Chapter
14.
The Hazy Dawn of New Age
15.
Conclusion: Music and Our Lives
15.1.
Why Do We Listen To The Music?
15.2.
On Importance of Music and Art in our Lives
15.3.
Visual Modulation of Sound
15.4.
The Character of Modern Music
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The Pioneers of Universal Music
The Pioneers of Universal Music